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" Wanderings "
Christian, Bryan William
Ung, Chinary
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Latin Dissertation
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| Language of Document
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English
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| Record Number
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897334
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| Doc. No
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TL4z94x8qh
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| Main Entry
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Zhang, Zhuorui
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| Title & Author
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Wanderings\ Christian, Bryan WilliamUng, Chinary
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| Date
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2010
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| student score
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2010
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| Abstract
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Wandering—musical, physical, and psychological—is a vital feature of my creative process as a contemporary composer: it is the common thread which ties my recent compositions together. In writing North , I traveled by train from Winnipeg to Churchill, Manitoba, the northernmost extent of rail which originates from the south in the Canada. I sought to understand how the experience of ‘going North’, and the feeling of arriving there, could be translated into sound. I was particularly fascinated by the psychophysical sensation of ‘coldness’. In writing Yet Somehow Comes Emptiness , I traveled to the Painted Desert in Arizona, where I spent several days hiking and composing in the wilderness. I was deeply inspired by the badlands, especially the counterpoint between the topography and the diverse pigments of layered clay. In my composition, I represented this counterpoint within a virtual multidimensional space, in which each dimension corresponded to a particular parameter of music. In writing Oriemur, we will rise , my search for wandering turned inward. Building on my research on memory and medieval monastic rhetoric, I began to create imaginary architectural spaces through which I could wander. In Oriemur this architectural space became increasingly abstract, allowing the associations and metaphors to drift in and out of focus. As a result, the theme of my most recent work has transcended the earthly wandering of physical landscapes to the wandering within the spiritual, yet abstract, dimensions of human consciousness.
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| Added Entry
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Christian, Bryan William
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UC San Diego
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