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" Natural born celebrities : "


Document Type : BL
Record Number : 946914
Doc. No : b701284
Main Entry : Schmid, David, (David Frank)
Title & Author : Natural born celebrities : : serial killers in American culture /\ David Schmid.
Publication Statement : Chicago :: University of Chicago Press,, ©2005.
Page. NO : viii, 327 pages ;; 24 cm
ISBN : 0226354601
: : 0226738671
: : 0226738698
: : 9780226354606
: : 9780226738673
: : 9780226738697
Bibliographies/Indexes : Includes bibliographical references (pages 285-310) and index.
Contents : The Victorian killer as media star : Jack the Ripper and H.H. Holmes -- Defining the enemy within : the FBI and serial murder -- Natural born celebrities : serial killers and the Hollywood star system -- Out of this world : aliens, devils, and serial killers in television crime drama -- Next door monsters : the dialectic of normality and monstrosity in true-crime narratives -- The unbearable straightness of violence : queering serial murder in true crime.
Abstract : Jeffrey Dahmer. Ted Bundy. John Wayne Gacy. Over the past thirty years, serial killers have become iconic figures in America, the subject of made-for-TV movies and mass-market paperbacks alike. But why do we find such luridly transgressive and horrific individuals so fascinating? What compels us to look more closely at these figures when we really want to look away? Natural Born Celebrities considers how serial killers have become lionized in American culture and explores the consequences of their fame. David Schmid provides a historical account of how serial killers became famous and how that fame has been used in popular media and the corridors of the FBI alike. Ranging from H.H. Holmes, whose killing spree during the 1893 Chicago World's Fair inspired The Devil in the White City, right up to Aileen Wuornos, the lesbian prostitute whose vicious murder of seven men would serve as the basis for the hit film Monster, Schmid unveils a new understanding of serial killers by emphasizing both the social dimensions of their crimes and their susceptibility to multiple interpretations and uses. He also explores why serial killers have become endemic in popular culture, from their depiction in The Silence of the Lambs and The X-Files to their becoming the stuff of trading cards and even Web sites where you can buy their hair and nail clippings. Bringing his fascinating history right up to the present, Schmid ultimately argues that America needs the perversely familiar figure of the serial killer now more than ever to manage the fear posed by Osama bin Laden since September 11.
Subject : Crime in popular culture-- United States.
Subject : Fame.
Subject : Serial murderers-- United States-- Public opinion.
Subject : Serial murders in mass media.
Subject : Criminalité dans la culture populaire-- États-Unis.
Subject : Renommée.
Subject : Tueurs en série dans les médias.
Subject : Tueurs en série-- États-Unis-- Opinion publique.
Subject : 71.65 criminality as a social problem.
Subject : Berühmte Persönlichkeit
Subject : Crime in popular culture-- United States.
Subject : Crime in popular culture.
Subject : Fame.
Subject : Fame.
Subject : Intensivtäter
Subject : Mörder
Subject : Öffentlichkeit
Subject : Serial murderers-- United States-- Public opinion.
Subject : Serial murders in mass media.
Subject : Serial murders in mass media.
Subject : Massamedia.
Subject : Populaire cultuur.
Subject : Seriemoordenaars.
Subject : United States.
Subject : USA
Subject : USA.
Subject : Verenigde Staten.
Dewey Classification : ‭364.152/3/0973‬
LC Classification : ‭HV6529‬‭.S32 2005‬
NLM classification : ‭71.65‬bcl
: ‭HU 1075‬rvk
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