Document Type
|
:
|
BL
|
Record Number
|
:
|
955184
|
Doc. No
|
:
|
b709554
|
Main Entry
|
:
|
Lawson, Colin, (Colin James)
|
Title & Author
|
:
|
The historical performance of music : : an introduction /\ Colin Lawson and Robin Stowell.
|
Publication Statement
|
:
|
Cambridge, UK ;New York :: Cambridge University Press,, 1999.
|
Series Statement
|
:
|
Cambridge handbooks to the historical performance of music
|
Page. NO
|
:
|
1 online resource (xiii, 219 pages) :: music
|
ISBN
|
:
|
0511019149
|
|
:
|
: 0511050461
|
|
:
|
: 0511152361
|
|
:
|
: 0511481713
|
|
:
|
: 0521621933
|
|
:
|
: 0521627389
|
|
:
|
: 6610418810
|
|
:
|
: 9780511019142
|
|
:
|
: 9780511050466
|
|
:
|
: 9780511152368
|
|
:
|
: 9780511481710
|
|
:
|
: 9780521621939
|
|
:
|
: 9780521627382
|
|
:
|
: 9786610418817
|
Bibliographies/Indexes
|
:
|
Includes bibliographical references (pages 199-208) and index.
|
Contents
|
:
|
Music as history. Introduction. The nature and development of historical awareness. Influential reworkings of Bach and Handel. Historical considerations. The pioneers: individuals and institutions. The role of musical expression. Arguments pro and con. Post-war philosophies. Period Mozart and beyond. The current scene -- The application of primary sources. Surviving instruments. Iconographical sources. Historical archives. Literary sources. Practical treatises : uses and limitations. Practical treatises : a summary. Theoretical treatises. The importance of communication. The role of editions. Musical taste -- Changes in musical style. National idioms. Articulation. Melodic inflection. Accentuation. Tempo. Rhythmic alteration. Ornamentation. Extempore embellishment. Improvisation. Continuo accompaniment -- Conditions and practices. Introduction. Pitch. Temperament. Vocal practices. Venues and programmes. Orchestral constitution and placement. Direction. Nineteenth-century changes -- Case studies in ensemble music. J.S. Bach : St Matthew Passion BWV 244. W.A. Mozart : Serenade for 13 instruments K361. Berlioz : Episode de la vie d'un Artiste, Symphonie Fantastique en cinq parties Op. 14. Brahms : Symphony No. 2 in D major Op. 73 -- The continuing debate. Introduction. The social position of historical music. A snapshot from 1983. Authenticity and Early Music. The 1990s. The future?
|
Abstract
|
:
|
This volume offers an overview of historical performance, surveying current issues, and suggesting future developments. Its kernel comprises discussion of the performer's primary source-materials and their interpretation, aspects of style and technique that combine to make up a well-grounded, period interpretation, and a survey of performance conditions and practices.
|
Subject
|
:
|
Bach, Johann Sebastian,1685-1750., Matthäuspassion.
|
|
:
|
Berlioz, Hector,1803-1869, Symphonie fantastique.
|
|
:
|
Berlioz, Hector,1803-1869., Lélio.
|
|
:
|
Brahms, Johannes,1833-1897., Symphonies,no 2, op. 73,ré majeur.
|
|
:
|
Mozart, Wolfgang Amadeus,1756-1791., Sérénades,K. 370a (361),si bémol majeur.
|
Subject
|
:
|
Performance practice (Music)-- History-- 18th century.
|
Subject
|
:
|
Performance practice (Music)-- History-- 19th century.
|
Subject
|
:
|
Pratique de l'exécution (Musique)-- 18e siècle.
|
Subject
|
:
|
Pratique de l'exécution (Musique)-- 19e siècle.
|
Subject
|
:
|
Historische Musikpraxis
|
Subject
|
:
|
MUSIC-- Instruction Study-- Techniques.
|
Subject
|
:
|
Performance practice (Music)
|
Subject
|
:
|
Uitvoeringspraktijk.
|
Dewey Classification
|
:
|
781.4/3/09
|
LC Classification
|
:
|
ML457.L39 1999eb
|
Added Entry
|
:
|
Stowell, Robin.
|