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" The genesis of Kant's critique of judgment / "
John H. Zammito.
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BL
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| Record Number
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957060
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b711430
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| Main Entry
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Zammito, John H.,1948-
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| Title & Author
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The genesis of Kant's critique of judgment /\ John H. Zammito.
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| Publication Statement
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Chicago :: University of Chicago Press,, 1992.
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| Page. NO
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ix, 479 pages ;; 24 cm
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| ISBN
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0226978540
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: 0226978559
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: 9780226978543
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: 9780226978550
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| Bibliographies/Indexes
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Includes bibliographical references (pages 427-453) and index.
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| Contents
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pt. 1. The Genesis of the "Critique of Aesthetic Judgment" 1. Kant and the Pursuit of Aufklarung -- 2. Kant's Return to Aesthetics: Transcendental Arguments and the "Critique of Taste" -- 3. Validity and Actuality: Toward Kant's Phenomenology of Subjective Consciousness -- 4. The Transcendental Grounding of Taste: Purpose and Pleasure -- 5. The Beautiful and the Pleasant: Kant's Transcendental Deduction of Taste -- 6. Kant's Philosophy of Art in the Year 1788 -- pt. 2. The Genesis of the "Critique of Teleological Judgment."-- 7. The Cognitive Turn: The Discovery of Reflective Judgment -- 8. The Contextual Origins of Kant's Critique of Contemporary Science -- 9. Kant against Eighteenth-Century Hylozoism -- 10. The Problem of Organic Form in the "Critique of Teleological Judgment". 11. The Pantheism Controversy and the Third Critique -- 12. Kant's Attack on Spinoza in the "Dialectic of Teleological Judgment" -- pt. 3. The Final Form of the Critique of Judgment. 13. The Ethical Turn in Kant's Critique of Judgment -- 14. The Sublime, the Symbolic, and Man's "Supersensible Destination" -- 15. Aesthetics As the Key to Anthropology: Lebensgefuhl and Geistegefuhl -- 16. The Unity of Man: Man As an "End-in-Himself" -- 17. The Unity of Mankind: The Highest Good, History, and Religion -- Conclusion: The Ultimate Meaning of the Third Critique.
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| Abstract
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In this philosophically sophisticated and historically significant work, John H. Zammito reconstructs Kant's composition of The Critique of Judgment and reveals that it underwent three major transformations before publication. He shows that Kant not only made his "cognitive" turn, expanding the project from a "Critique of Taste" to a Critique of Judgment but he also made an "ethical" turn. This "ethical" turn was provoked by controversies in German philosophical and religious culture, in particular the writings of Johann Herder and the Sturm und Drang movement in art and science, as well as the related pantheism controversy. Such topicality made the Third Critique pivotal in creating a "Kantian" movement in the 1790s, leading directly to German Idealism and Romanticism. The austerity and grandeur of Kant's philosophical writings sometimes make it hard to recognize them as the products of a historical individual situated in the particular constellation of his time and society. Here Kant emerges as a concrete historical figure struggling to preserve the achievements of cosmopolitan Aufkl-rung against challenges in natural science, religion, and politics in the late 1780s. More specifically Zammito suggests that Kant's Third Critique was animated throughout by a fierce personal rivalry with Herder and by a strong commitment to traditional Christian ideas of God and human moral freedom.
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| Subject
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Kant, Immanuel,1724-1804-- Aesthetics.
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Kant, Immanuel,1724-1804., Kritik der Urteilskraft.
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Kant, Immanuel,1724-1804-- Esthétique.
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Kant, Immanuel,1724-1804., Kritik der Urteilskraft.
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Kant, Immanuel (1724-1804)., Kritik der Urteilskraft.
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Kant, Immanuel,(1724-1804)-- Esthétique.
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Kant, Immanuel,1724-1804-- Aesthetics.
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Kant, Immanuel,1724-1804.
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Kant, Immanuel,1724-1804., Kritik der Urteilskraft.
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Aesthetics.
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Judgment (Aesthetics)
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Esthétique.
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Jugement (Esthétique)
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Aesthetics.
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Judgment (Aesthetics)
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Judgment (Aesthetics)
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Jugement esthétique.
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Kritik der Urteilskraft (Kant)
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Kritik der Urteilskraft (Kant, Immanuel)
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| Dewey Classification
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121
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| LC Classification
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B2784.Z36 1992
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| NLM classification
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08.41bcl
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