| Document Type
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BL
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| Record Number
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959610
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| Doc. No
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b713980
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| Main Entry
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Pinney, Christopher.
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| Title & Author
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Photos of the gods : : the printed image and political struggle in India /\ Christopher Pinney.
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| Publication Statement
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London :: Reaktion,, 2004.
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| Page. NO
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239 pages :: illustrations (some color), portraits (some color) ;; 25 cm
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| ISBN
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1861891849
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: 9781861891846
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| Bibliographies/Indexes
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Includes bibliographical references and index.
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| Contents
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Introduction : the possibility of a visual history -- Indian images under the shadow of colonialism -- Staging Hinduism : lithographs and popular theatre in Calcutta, 1870-1885 -- Peshwas, parrots and bombs : lithographs and politics in Western India, 1870-1885 -- Lithographs and the camera in Bombay and Delhi, 1890-1925 -- Pastoral realism : the Nathdvara devotional aesthetic, 1925-1935 -- The politics of popular images : from cow protection to M.K. Gandhi, 1890-1950 -- Half-seen in advance : picture production in independent India, 1950-2000 -- What pictures want now : rural consumers of images, 1980-2000 -- Epilogue : the recursive archive.
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| Abstract
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Mass-produced images have long been produced and used in India by religious and nationalist movements - the emergence of Indian-run chromolithograph presses in the late 1870s initiated a vast outpouring that have come to dominate many of India's public and domestic spaces.Drawing on years of archival research, interviews with artists and publishers, and the ethnographic study of their rural consumers, Christopher Pinney traces the intimate connections between the production and consumption of these images and the struggle against colonial rule. The detailed output of individual presses and artists is set against the intensification of the nationalist struggle, the constraints imposed by colonial state censorship, and fifty years of Indian independence. The reader is introduced to artists who trained within colonial art schools, others whose skills reflect their membership of traditional painting castes, and yet others who are self-taught former sign painters.Photos of the Gods is the first comprehensive history of India's popular visual culture. Combining anthropology, political and cultural history, and the study of aesthetic systems, and using many intriguing and unfamiliar images, the book shows that the current predicament of India cannot be understood without taking into account this complex, fascinating, and until now virtually unseen, visual history.
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| Subject
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Hinduism.
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Idols and images-- Political aspects-- India.
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Photography-- Political aspects-- India.
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Photography-- India-- History-- 20th century.
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Printing-- India-- History-- 20th century.
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Idoles et images-- Aspect politique-- Inde.
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Imprimerie-- Inde-- Histoire-- 20e siècle.
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Photographie-- Aspect politique-- Inde.
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Photographie-- Aspect religieux-- Hindouisme.
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Photographie-- Inde-- Histoire-- 20e siècle.
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Gottesdarstellung
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Grafik
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Hinduism.
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Hinduism.
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Idols and images-- Political aspects-- India.
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Photography-- Political aspects-- India.
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Photography-- Political aspects.
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Photography-- India-- History-- 20th century.
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Photography.
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Politics and government.
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Politischer Prozess
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Printing-- India-- History-- 20th century.
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Printing.
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Afbeeldingen (algemeen)
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Beeldende kunsten.
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| Subject
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Goden.
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Politieke onafhankelijkheid.
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India, Politics and government, 1947-
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Inde, Politique et gouvernement, 1947-
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India, Politics and government, 1947-.
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India.
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| Subject
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Indien
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| Dewey Classification
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320.095409045
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| LC Classification
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BL2015.I4P56 2004
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| NLM classification
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11.94bcl
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11.94.bcl
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168njb/09
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168njb/9
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20.21bcl
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20.21.bcl
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LO 88340rvk
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