|
" B-sides, undercurrents and overtones : "
George Plasketes, Auburn University, USA.
| Document Type
|
:
|
BL
|
| Record Number
|
:
|
991489
|
| Doc. No
|
:
|
b745859
|
| Main Entry
|
:
|
Plasketes, George
|
| Title & Author
|
:
|
B-sides, undercurrents and overtones : : peripheries to popular in music, 1960 to the present /\ George Plasketes, Auburn University, USA.
|
| Publication Statement
|
:
|
Farnham, England ;Burlington, VT :: Ashgate,, [2009]
|
|
|
:
|
, ©2009
|
| Series Statement
|
:
|
Ashgate popular and folk music series
|
| Page. NO
|
:
|
1 online resource (xii, 209 pages)
|
| ISBN
|
:
|
0754693821
|
|
|
:
|
: 1317171128
|
|
|
:
|
: 6612243392
|
|
|
:
|
: 9780754693826
|
|
|
:
|
: 9781317171126
|
|
|
:
|
: 9786612243394
|
|
|
:
|
0754665615
|
|
|
:
|
9780754665618
|
| Bibliographies/Indexes
|
:
|
Includes bibliographical references (pages 195-201) and index.
|
| Contents
|
:
|
Get your 45s on : Terry Melcher, lost in the surf and sun of the 1960s sound waves -- How the midwest was won : the Chicago suburbs seven, a mid 1960s regional rotation -- Covering outside the lines : Hans Fenger and the Langley Schools music project -- Geffen Records v. Neil Young : the battle of the brands -- Music and movie mutuality : Ry Cooder, the involved bystander -- World music missionaries : cross culture convergences -- The vital visual voice of the videotape editor : seamlessly sculpting Graceland : the African concert -- Rock around the cop : Bochco's Broadway blue print as television musical muse and martyr -- Must sing TV : pop rock sitcom cameo obscuras -- Umbilical musical chords : lineage, legacy, and mom and pop pedigree -- Die another day : Warren Zevon's desperado deteriorata.
|
| Abstract
|
:
|
There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered 'B-sides' - overlooked, underappreciated, and unsung cases, creators, patterns and productions that ha.
|
| Subject
|
:
|
Music-- United States-- History and criticism.
|
| Subject
|
:
|
Popular music-- United States-- History and criticism.
|
| Subject
|
:
|
Music
|
| Subject
|
:
|
MUSIC-- Genres Styles-- Pop Vocal.
|
| Subject
|
:
|
Popular music.
|
| Subject
|
:
|
United States.
|
| Dewey Classification
|
:
|
781.640973/09045
|
| LC Classification
|
:
|
ML3477.P63 2009eb
|
| |