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" Love, desire and identity in the theatre of Federico García Lorca / "
Paul McDermid.
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BL
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| Record Number
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997265
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| Doc. No
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b751635
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| Main Entry
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McDermid, Paul.
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| Title & Author
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Love, desire and identity in the theatre of Federico García Lorca /\ Paul McDermid.
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| Publication Statement
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Woodbridge, UK ;Rochester, NY :: Tamesis,, 2007.
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| Series Statement
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Colección Támesis. Serie A, Monografías ;; 241
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| Page. NO
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1 online resource (217 pages).
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| ISBN
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1846155657
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: 9781846155659
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1855661462
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9781855661462
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| Bibliographies/Indexes
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Includes bibliographical references (pages 205-211) index.
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| Contents
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Jesus of love : the profane passion and holy spirit of the young poet's Cristo. The dialectic of flesh and spirit ; The flesh and its limits ; Más allá : the realm of the spirit ; The inversion of gender ; A young man's vision -- Mariana Pineda : iconic martyr to Love. Which Mariana? ; The play : its subject, structure and plot ; From 'estampa' to performance ; From the material to the ethereal ; The spiritual realm of dream and death ; Mariana the martyr : the sacrifice of the body ; 'La Mariana amante' : icon of Love -- The sacrifice of identity in Amor de Don Perlimplín con Belisa en su jardín. Perlimplín : at the heart of Garcia Lorca's theatre ; The play's dualisms : plot and themes ; Don Perlimplín : the 'monigote' humanised ; 'La blanca Belisa' : from empty vessel to eternal Love ; Subversions of identity ; Ritual and the transforming final sacrifice ; Towards a production of new subjectivity -- El público : struggling with identity. The 'impossible' drama : homosexuality, structure and style ; The key dialectic of surface and depth ; Masculinity in question ; Bodily boundaries ; Queer acts : identity and existence as performance -- ¡Hijo de mi alma! : gender inversion and the metaphysical reproduction of the Self in Yerma. A woman frustrated? : theme, plot and structure ; A masculinised Yerma and an effeminate Juan ; The theory of gender inversion ; A desire for the Soul and the reproduction of Self -- Beyond the outer walls : transvestite masquerade and transcendent escape in La casa de Bernarda Alba. Subversive acts ; The photo documentary : drama in black and white ; From realism to drag performance ; On symbols and on the signs of Camp ; The performance of gender ; Beyond the walls of the house of Alba : Adela's challenge to Bernarda.
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| Subject
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García Lorca, Federico,1898-1936-- Dramatic works.
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García Lorca, Federico,1898-1936
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García Lorca, Federico.
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Desire in literature.
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Love in literature.
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Criticism and interpretation.
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Desire in literature.
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DRAMA-- Continental European.
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LITERARY CRITICISM-- European-- Spanish Portuguese.
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Love in literature.
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Drama.
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Identität (Motiv)
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| Subject
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Liebe (Motiv)
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| Dewey Classification
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862.62
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| LC Classification
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PQ6613.A763Z7536 2007
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