| Document Type
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BL
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| Record Number
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999210
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| Doc. No
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b753580
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| Main Entry
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Demers, Joanna Teresa,1975-
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| Title & Author
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Listening through the noise : : the aesthetics of experimental electronic music /\ Joanna Demers.
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| Publication Statement
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Oxford ;New York :: Oxford University Press,, 2010.
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| Page. NO
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1 online resource (201 pages)
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| ISBN
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0195387651
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: 019538766X
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: 019977448X
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: 9780195387650
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: 9780195387667
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: 9780199774487
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| Bibliographies/Indexes
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Includes bibliographical references and index.
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| Contents
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Sign. Listening to signs in post-Schaefferian electroacoustic music ; Material as sign in electronica -- Object. Minimal objects in microsound ; Maximal objects in drone music, dub techno, and noise -- Situation. Site in ambient, soundscape, and field recordings ; Genre, experimentalism, and the musical frame.
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| Abstract
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Contemporary electronic music has splintered into a dizzying assortment of genres & subgenres, communities & subcultures. Given the ideological differences among academic, popular & avant-garde electronic musicians, is it possible to derive an aesthetic theory that accounts for this variety?
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| Subject
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Avant-garde (Music)
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Electronic music-- History and criticism.
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Music and technology.
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Music-- Philosophy and aesthetics.
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Avant-garde (Music)
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Electronic music.
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Elektronische Musik.
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Music and technology.
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MUSIC-- Musical Instruments-- Piano Keyboard.
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| Subject
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Music-- Philosophy and aesthetics.
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| Subject
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Musikästhetik.
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| Dewey Classification
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786.7/117
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| LC Classification
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ML1380.D45 2010eb
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